Миллионер из трущоб. Сценарий (англ.)

29 сентября 2009    Автор:    Сценарии

«SLUMDOG MILLIONAIRE»
BY
Simon Beaufoy
DRAFT DATED 4 NOVEMBER 2007
© SLUMDOG FILMS LIMITED
39 LONG ACRE
LONDON WC2E 9LG

1 INT. JAVED’S SAFE-HOUSE. BATHROOM. NIGHT. 1
An expensive bathroom suite. Excess of marble and gold
taps. Into the bath, a hand is scattering rupee notes.
Hundreds and hundreds of notes, worth hundreds of
thousands of rupees. The sound of a fist thumping on
the bathroom door, furious shouting from the other
side.
JAVED O/S
Salim! Salim!
2 INT. STUDIO. BACKSTAGE. DAY. 2
Darkness. Then, glimpses of faces. In the half-light,
shadowy figures move with purpose. An implacable voice
announces.
TALKBACK V/O
Ten to white-out, nine, eight,
seven…
PREM
Are you ready?
Silence. A hand shakes a shoulder a little too roughly.
PREM (CONT’D)
I said are you ready?
JAMAL
Yes.
3 INT. JAVED’S SAFE-HOUSE. BATHROOM. NIGHT. 3
The thumping at the door continues. The sound of
mumbled Indian prayer. Dull gleam of a pistol. A hand
cracks the chamber open. Loads a single bullet into the
chamber, snaps the chamber shut.
TALKBACK V/O
…three, two, one, zero. Cue
Prem, cue applause…
Suddenly, the door splinters as it is smashed through.
A burst of gun-fire and white light as suddenly…
4 INT. STUDIO. NIGHT. 4
…we are back in the studio, the gun-fire morphing
into rapturous applause.
(CONTINUED)
TALKBACK V/O
Go, Prem.
A wall of light and noise as the two walk on stage.
Cheering, music, banks of searing studio lights. On
stage, Jamal, an eighteen year-old Indian boy-man
stares, petrified. He would surely turn and run but for
the iron grip on his shoulder of the smiling host, Prem
Kumar.
PREM
Welcome to Who Wants To Be A
Millionaire!
More applause.
PREM (CONT’D)
Please give a warm welcome to
our first contestant of the
night- a local from our very own
Mumbai!
Under cover of the wild applause, Prem ushers Jamal
towards the guest’s chair, leaning in and hissing.
PREM (CONT’D)
Smile, dammit.
The lights seem to bore into him but Jamal manages a
tentative smile. Out of nowhere, a hand slaps him
ferociously across the face. Then again and again.
Blood trickles from his mouth.
5 INT. POLICE INTERVIEW ROOM. NIGHT. 5
The studio lights have seamlessly transformed into the
harsh bulb of an interrogation light. Jamal is strung
from the ceiling by his arms.
CONSTABLE SRINIVAS
Your name, bhen chod.
Constable Srinivas’s hand pulls back Jamal’s head by
the hair, forcing him to stare directly into the
lights.
CONSTABLE SRINIVAS (CONT’D)
Your name!
JAMAL
Jamal Malik.
And seamlessly we are back….
2.
4 CONTINUED: 4
6 INT. STUDIO. NIGHT. 6
…on the set of Who Wants to be a Millionaire. Prem
leans back in his chair, a man at home in his
surroundings. Jamal sits opposite, frozen.
PREM
So, Jamal, tell us a bit about
yourself.
Close on Jamal’s face. Without warning, it is shoved
under water.
7 INT. BUCKET. NIGHT. 7
We look up from the bottom of the bucket at the
screaming face of a drowning man. His head shakes
desperately, pointlessly. Then Jamal’s face is dragged
up again, roaring for breath. Close on his eyes.
JAMAL V/O
I work in a call centre. In
Juhu.
8 INT. STUDIO. NIGHT. 8
PREM
A Phone-basher! And what type of
call centre would this be?
JAMAL
XL 5. Mobile phones.
PREM
Aha! So, you’re the man who
rings me up every single day of
my life with Special Offers,
huh?
JAMAL
No, actually, I’m an assistant.
PREM
An Assistant Phone-basher?
A raised eye-brow at the audience. Amusement ruffles
through them.
PREM (CONT’D)
And what does an Assistant Phonebasher
do, exactly?
JAMAL
I- I get tea for people and-
3.
(CONTINUED)
PREM
- a chi-wallah! Why didn’t you
say?
Laughter in the audience.
PREM (CONT’D)
So, ladies and gentlemen, Jamal
Malik from Mumbai, let’s play
Who Wants To Be A
Millionaire…!
9 OMITTED 9
10 INT. POLICE INTERVIEW ROOM. DAY. 10
Jamal’s body dangles motionless from the ceiling. His
head is bowed and he is moaning to himself. The ceiling
fan thumps round slowly. In the corner, Constable
Srinivas mops his brow and lights a cigarette. Hot
work. The door opens and the Inspector of Police walks
in. A rumpled man in his late forties who has seen
pretty much everything. He eyes Jamal, surprised.
INSPECTOR
Has he confessed, yet?
CONSTABLE SRINIVAS
Apart from his name, I can’t get
a word out of the runt.
INSPECTOR
You’ve been here all bloody
night, Srinivas. What have you
been doing?
Srinivas shrugs.
CONSTABLE SRINIVAS
Tough guy.
INSPECTOR
A little electricity will loosen
his tongue.
Constable Srinivas brings a box and a tangle of wires
out of a cupboard and proceeds to put crocodile clips
on Jamal’s fingers. The Inspector stares, deep in
thought. Sweat trickles down his face. He wipes it away
with a handkerchief, seems to be talking to himself.
INSPECTOR (CONT’D)
Every night I get home, “why
can’t we have a/c like Bajan
Chacha?
4.
8 CONTINUED: 8
(MORE)
(CONTINUED)
Why don’t you care about your
poor family, dying in this
heat.” Twenty-four years a
policeman and I can’t afford
bloody a/c.
Turns on Jamal.
INSPECTOR (CONT’D)
But you. You’ve got ten million
rupees ek dum guaranteed, yaar?
And who knows how much further?
Fancy the twenty million, do
you?
Jamal just stares.
INSPECTOR (CONT’D)
I think you probably do.
The Inspector nods absently to Constable Srinivas who
turns a handle. Jamal’s body pulsates and jerks. He
screams. His body goes limp again. The Inspector goes
over to Jamal.
INSPECTOR (CONT’D)
So. Were you wired up? A mobile
or a pager, correct? Some little
hidden gadget? No? A coughing
accomplice in the audience?
Microchip under the skin, huh?
Constable Srinivas hadn’t thought of that. Grabs
Jamal’s arms and starts squeezing them all over until
the Inspector has had enough.
INSPECTOR (CONT’D)
Srinivas! Look, it’s hot, my
wife is giving me hell, I’ve got
a desk full of murderers,
rapists, extortionists, assorted
bum-bandits…and you. Why don’t
you save us both a lot of time?
Hmm?
Jamal doesn’t answer. The Inspector sighs and sits
down. Looks at his watch, nods at Constable Srinivas
again. Jamal’s body jerks with electric current. When
the shudders and screams have subsided, the Inspector
goes over to Jamal’s collapsed form. Clicks his fingers
in front of Jamal’s face to check for a response.
INSPECTOR OF POLICE
He’s unconscious, chutiya. What
good is that? How many times
have I told you-?
CONSTABLE SRINIVAS
Sorry, Sir.
5.
10 CONTINUED: 10
INSPECTOR (CONT’D)
(CONTINUED)
An excited Young Police Constable sticks his head
around the door.
YOUNG CONSTABLE
He’s coming! Sir.
INSPECTOR
Ar? wa, Srinivas, we’ll have
Amnesty International in here
next, peeing their pants about
human rights. Get him down, tidy
him up, for God’s sake.
Constable Srinivas goes over to Jamal and starts to
undo the crocodile clips.
CONSTABLE SRINIVAS
Maybe he did know the answers.
INSPECTOR
Have you gone soft, Srinivas?
Professors, lawyers, doctors,
General Knowledge Wallahs never
get beyond sixteen thousand
rupees. And he’s on ten million?
What the hell can a slum dog
possibly know?
Jamal lifts his head.
JAMAL
The answers.
He lifts his head, spits blood out of his mouth and
says again, straight into the Inspector’s face.
JAMAL (CONT’D)
I know the answers.
Titles. Slum Dog Millionaire.
11 EXT. CRICKET GROUND. DAY. 11
Bright sunlight filtered through the ever-present
Mumbai dust. A group of children are playing cricket on
a tarmac cricket ground. They are bare-foot, dressed in
little more than rags, wiry-skinny and fast on their
feet. Salim, a nine-year old, polishes the ball on his
almost non-existent shorts, comes in with surprising
speed and bowls. The batsman hooks it high in the air.
The bowler screams at a boy in the outfield.
SALIM
Jamal! Catch it! Catch it!
The seven-year old Jamal stares up at the ball, jinks
around trying to get into position.
6.
10 CONTINUED: (2) 10
(CONTINUED)
He pays no heed to the rest of the children who are
scattering fast to the edges of the tarmac. The ball
seems suspended in the blue sky. Shouts from the other
children seem very far away. He doesn’t notice that
they are screaming for him to get out of the way. Jamal
adjusts his feet for the perfect catch. Then out of
nowhere, a light aircraft almost takes his head off as
it comes in to land on the tarmac runway. Jamal is
knocked to his feet by the down-draft of the plane. The
ball bounces away. Also flattened, Salim gets to his
feet.
SALIM (CONT’D)
How could you drop that? It was
a sitter.
Then Salim’s face turns to one of alarm.
12 EXT. AIRPORT PERIMETER. DAY. 12
At the back of a pack of children, carrying a piece of
wood crudely fashioned into a sword, Jamal is running
for his life, pursued by an ancient but surprisingly
nimble Security Guard from the airport who is screaming
abuse and wielding a long stick. The kids dash across a
rubbish dump and disappear down dozens of tiny lanes
that run in between the shacks of the slum.
SECURITY GUARD
Private-ka land! Private-ka
land! The planes won’t kill you,
mader chod, I will!
Jamal and Salim- also with a wooden sword- break off,
head down a separate lane. The Guard pursues them.
13 INT. JUHU SLUM. DAY. 13
The lanes in between the corrugated iron shacks are
three feet wide, with an open drain running down the
middle. Many of the precarious upper floors of the
shacks have been built right over the paths, turning
them into black tunnels. Tunnels shot through with
slivers of light. If you didn’t live here, you would be
lost and frightened in minutes.
But these children are natives and with the practice of
many years, Jamal and Salim zig-zag down the warren of
lanes.
They dodge past people cooking in the doorways,
sleeping, washing clothes or in the case of Vinod, a
naked four year-old, pissing into the drain. Salim
shouts a warning.
7.
11 CONTINUED: 11
(CONTINUED)
SALIM
Vinod! Musketeers coming
through!
Without breaking step, they both jump expertly over the
stream of piss. Not so the Security Guard who gets it
all over his trousers, but doesn’t stop the pursuit.
The two children charge past a shack filled to the roof
with chickens in cages who all start squawking. They
break out into the sunlight of the ‘main road’ of the
slum lined with shops. It is packed: with people,
stalls, bicycles and cows. All modern India is here,
drinking tea, shouting at each other, selling food,
playing carom, video games. Leaving a trail of shouting
and wreckage behind them, the pair approach a brand new
Mercedes almost blocking the lane. Beside it stands
Javed, an impressive man in a beautiful suit and his
two Minders. Jamal and Salim skid to a stop, put their
hands together in respectful greeting and edge ever so
carefully past the immaculate paintwork of the car.
Still in pursuit, the Security Guard also slides
carefully past the car with deprecating bows and
smiles. On past the chi stall where a crowd has
gathered to watch a hindi film blaring from the tv
rigged up overhead. The irate Security Guard gets
tangled up in a bicycle. Jamal and Salim stop to give
him a taunting, hip-gyrating parody of the dance on the
tv before scooting down another tunnel. They break out
into sunlight again.
WOMAN’S VOICE
Jamal!
Jamal skids to a halt, bumping into Salim who is
already frozen.
JAMAL
Shit. Mummy-ji.
JAMAL’S MOTHER
Don’t you move a muscle.
The Security Guard arrives and he too skids to a halt
at the sight of Jamal’s mother.
JAMAL’S MOTHER (CONT’D)
Thank you, Mister Gupta. I will
deal with these two.
The Guard puts his hands together in grudging respect
as Jamal’s Mother lifts each skinny kid off the floor
by their t-shirt and marches them down the road.
8.
13 CONTINUED: 13
14 INT. SCHOOL. DAY. 14
The two renegades are dumped by Jamal’s Mother into
their desks as Mister Nandha hands out ancient school
books.
MISTER NANDHA
So, the musketeers return. We
are honoured. Salim. Or Porthos,
isn’t it?
He crashes the heavy book down on his head. Salim opens
the book. Jamal glances over and turns the book the
right way round for Salim.
SALIM
I know!
Mister Nandha hovers over Jamal’s head. He winces in
anticipation.
MISTER NANDHA
And Athos.
The book comes down like thunder. Jamal blinks from the
impact and suddenly we are back….
15 INT. INSPECTOR’S OFFICE. DAY. 15
… in the Inspector’s office. Jamal watches Srinivas
fiddling with the video recorder, trying to get a
picture. Through the pebbled glass, Jamal sees shapes
moving along the corridor.
16 INT. CORRIDOR. POLICE STATION. DAY. 16
The Commissioner of Police is fawning along beside Prem
as they walk. The Young Constable hurries behind.
COMMISSIONER OF POLICE
It is so kind of you to visit
our station, Sir. A great
honour.
PREM
Not at all, not at all. I hope
you will visit us, Commissioner.
Out of his jacket pocket comes a couple of tickets.
PREM (CONT’D)
Bring the family. It’s a lot of
fun.
COMMISSIONER OF POLICE
Oh! A thousand thanks, Sir.
Missus Janda will be overcome.
9.
(CONTINUED)
He turns to the Young Constable.
COMMISSIONER OF POLICE
(CONT’D)
chi, you lazy chutiy?, chi!
The Inspector joins them in the corridor.
COMMISSIONER OF POLICE
(CONT’D)
Ah, Inspector! Cracked it?
The Inspector moves his head. Maybe yes, maybe no.
INSPECTOR
Nearly, Sir.
The Commissioner is just able to contain his apoplexy.
COMMISSIONER OF POLICE
Nearly? Nearly? When Prem Kumar
himself has-
Prem holds up a tolerant hand to the Commissioner who
falls silent. Turns his laser-like charm onto the
Inspector.
PREM
Inspector. How good to meet you.
Clearly the kid cheated.
INSPECTOR
Clearly, Sir.
PREM
So, it is just a question of
how, no?
INSPECTOR
Indeed, Sir. The proof. That is
all we need.
PREM
We are lucky to have a man of
your obvious experience on the
case. This kid might run rings
around us filmi types, but he
won’t make fools out of the
Mumbai Police Force, I can see
that.
Forced laughter from the Commissioner.
PREM (CONT’D)
In front of sixty million
people.
More laughter. And fear.
10.
16 CONTINUED: 16
(CONTINUED)
PREM (CONT’D)
Which is what will happen if we
don’t get a result, Gentlemen.
He goes back on the show to rob
us all with the whole of India
watching. But. I can rely on
you.
Prem walks away down the corridor. Stops and turns,
apparently casual.
PREM (CONT’D)
Has he- has he made any
allegations?
INSPECTOR
Allegations?
PREM
He’s a cunning one. A convincing
liar. Don’t be taken in,
Inspector, don’t be taken in.
Walks off. The Inspector stares after him. Goes back
into his office.
17 INT. INSPECTOR’S OFFICE. 17
Srinivas has finally got the recorder to work. We get
snatches of filmi dancing- heroines singing on
mountainsides surrounded by implausible numbers of
flags- cricket and finally after some shouting by the
Inspector, Who Wants to Be A Millionaire?.
INSPECTOR
So, Mister Malik, the man who
knows the answers. Talk.
We close in on the tv screen where Prem is smiling his
crocodile smile and find ourselves….
18 INT. STUDIO. NIGHT. 18
…as Prem asks the first question.
PREM
So, are you ready for your first
question for one thousand
rupees?
JAMAL
Yes.
PREM
Not bad money to sit in a chair
and answer a question. Better
than making the tea, no?
11.
16 CONTINUED: (2) 16
(CONTINUED)
JAMAL
No. Yes. No.
PREM
No. Yes. No. Apka final answer?
Laughter from the audience. Jamal looks confused. Prem
waves it away, switches on his serious face.
PREM (CONT’D)
Remember, you have three
lifelines if you’re not sure of
your answer- Ask the Audience,
50/50 and Phone a Friend. So,
the question:
The lights go down, the portentous music rolls.
PREM (CONT’D)
Who was the star of the 1973 hit
film Zanjeer. Was it AClose
on Jamal’s eyes.
19 INT. SHACK. NIGHT. 19
A tiny shack. A garland of dirty plastic flowers
surrounds a torn flyer for one of Amitabh Bacchan’s
films.
20 EXT. JUHU SLUM. RUBBISH DUMP. NIGHT. 20
Salim is sitting on a chair at the end of a rickety
wooden pier, though it is not water, but a sea of
rubbish and sewage that lies below them. There are
dozens of these piers protruding from the slum onto
airport land, each with a toilet shack perched right at
the end. Another man hurries up the pier and hands
Salim a coin.
SALIM
Immediately, sir.
Turns to the toilet door.
SALIM (CONT’D)
Bhai, get out of there. Prakash
wants a shit.
JAMAL O.S.
Not finished.
PRAKASH
Stop your time-pass. This is
urgent.
12.
18 CONTINUED: 18
(CONTINUED)
JAMAL O.S.
It’s a shy one. Since when was
there a time limit on a crap?
SALIM
Since there was a customer
waiting, that’s when.
He flashes another placatory smile at Prakash.
JAMAL O.S.
(singing/ grunting)
Come on out, you beauty, unveil
yourself, my darling-warling….
PRAKASH
Look, kid, I got a bad stomach.
It’s borderline….
A disturbing combination of heaving and snake-charmer
noises come from the toilet shack. Finally Prakash can
stand it no longer.
PRAKASH (CONT’D)
I’m off to Devi’s bog. Give me
that.
He snatches the coin back from Salim and hurries off.
Salim bangs on the toilet door.
SALIM
You just lost me good money, you
stupid idiot-
Salim stops. In the distance, there is the faint sound
of shouting, a crowd coming closer. Then the crowd
bursts through the outer shacks of the slum, pour onto
the rubbish dump and make for the airfield.
MAN
It’s Amitabh! That’s his
helicopter!
JAMAL O.S.
Amitabh? Amitabh Bacchan?
21 INT/EXT. TOILET. NIGHT. 21
Jamal peers through one of the many cracks in the
shack. He sees crowds surging around the pier, charging
towards a landing helicopter. Salim shoves the chair
under the door handle- effectively locking it- and runs
down the pier to join the chase. Jamal pulls up his
shorts.
JAMAL
No! Wait! Salim, sala! Salim!
13.
20 CONTINUED: 20
(CONTINUED)
Rattles the locked door. Pulls a torn flyer from his
pocket advertising an Amitabh movie.
JAMAL (CONT’D)
Wait! Amitabh….
He looks down the toilet hole at the sewage beneath
him, the landing helicopter, the disappearing crowd. A
final rattle of the door. There is only one way out. He
jumps down the hole, sprawling headlong into a year’s
worth of human waste, managing to keep the flyer out
the mire. He runs for the helicopter.
JAMAL (CONT’D)
Amitabh-ji! Amitabh-ji!
Salim is at the back of the crowd, trying to force a
way through, but the adults shove him back. Not so for
Jamal. The down-draft from the helicopter flicks bits
of sewage from his clothes. Disgusted fans curse him
and get out of his way. Suddenly, the red sea parts and
there is nobody between Jamal and Amitabh Bacchan
getting out of the helicopter.
JAMAL (CONT’D)
Please. Amitabh-ji.
Jamal holds out his flyer. Used to signing autographs,
the movie star barely looks at Jamal. He takes the
flyer and scribbles his autograph on it.
JAMAL (CONT’D)
A thousand thanks, Amitabh-ji.
He hands the flyer back to Jamal as his bodyguards
surround him and hustle him into a car. Jamal chases
the flyer across the tarmac, grabs it. Kisses it.
22 EXT. JUHU SLUM. NIGHT. 22
From high up, the rickety tin roof-tops of the slum
seem to stretch to the horizon. There is a distant
shout, a figure waving an arm.
MAN
It’s coming!
Then another shout and another, a chain of voices
coming closer. People come out of their doorways with
pails and buckets. The shouts come closer until we see
a naked figure entirely encased in bubbles dancing and
singing in the lane. Jamal is the happiest boy in the
slum.
JAMAL
(singing)
Amitabh, Amitabh, oh Amitabh!
14.
21 CONTINUED: 21
(MORE)
(CONTINUED)

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